However, he also contributed to many other hit pop recordings such as Barry Manilow's triple-platinum album Even Now, Neil Diamond's hit September Morn, and Louis Armstrong's I’ve Got the World on a String and Louis Under the Stars, two of the most important pop albums from Armstrong's later catalog. DeRosa also contributed to important jazz fusion recordings, including David Axelrod's Song of Innocence and groundbreaking albums by Jean-Luc Ponty including King Kong: Jean-Luc Ponty Plays the Music of Frank Zappa.Īs a sideman on pop records, his contributions to Sinatra's most important recordings are perhaps best known (see with "Work with Sinatra" below). He also appeared on landmark recordings by jazz vocalists, including Mel Tormé and the Marty Paich Dek-Tette, Ella Fitzgerald Sings the Rodgers & Hart Song Book and Ella Fitzgerald Sings the George and Ira Gershwin Song Book, Sammy Davis Jr.'s The Wham of Sam, and June Christy's Something Cool. During his career, he played on important jazz instrumental recordings, including Art Pepper's Art Pepper + Eleven – Modern Jazz Classics, Stan Kenton's Kenton / Wagner, and Johnny Mandel's I Want to Live!. His name has become a metaphor for prolific recording: in Collected Thoughts on Teaching and Learning, Creativity, and Horn Performance Douglas Hill refers to a prolific session player as “the Vince DeRosa of the London freelance scene.” AlbumsĪs a jazz player, he is recognized as one of the first French horn players to forge a career as a jazz sideman. He recorded extensively in several genres, including jazz, rock, pop, and classical. RecordingĭeRosa's recording career began shortly after his military service ended, and he quickly established himself as the first-call session horn player in the recording industry. However, eventually he was recalled to service and was demobilized in 1945. He was discharged in 1943 because he was the head of a household. entered World War II, DeRosa enlisted before he could be drafted and was assigned to play with the California Army Air Forces radio production unit.
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CareerĭeRosa began his professional career in 1935 by substituting for another player in the San Carlo Opera Company's production of La traviata. He also studied with and played several times for Alfred Edwin Brain Jr., Dennis Brain's uncle. While still a teenager, DeRosa studied briefly with his uncle, Vincent DeRubertis. In 1932, the family moved to Los Angeles. He began his horn studies at age ten with Peter Di Lecce, Principal Horn of the Chicago Symphony Orchestra. His father, John DeRosa, was a professional clarinetist his mother, Clelia DeRubertis DeRosa, was an accomplished singer. His family moved to Chicago about a year after his birth.
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Early life and trainingĭeRosa was born in Kansas City, Missouri, on October 5, 1920.
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He set "impeccably high standards" for the horn, and became the first horn for Henry Mancini, Lalo Schifrin, Alfred Newman, and John Williams, among others, with Williams calling him "one of the greatest instrumentalists of his generation." DeRosa contributed to many of the most acclaimed albums of the 20th century, including some of the biggest-selling albums by artists as diverse as Frank Sinatra, Barry Manilow, Frank Zappa, Boz Scaggs, Ella Fitzgerald, Harry Nilsson, Stan Kenton, Henry Mancini, The Monkees, Sammy Davis Jr., and Mel Tormé. Because his career spanned over 70 years, during which he played on many film and television soundtracks and as a sideman on studio albums, he is considered to be one of the most recorded brass players of all time. Vincent Ned DeRosa (Octo– July 18, 2022) was an American hornist who served as a studio musician for Hollywood soundtracks and other recordings from 1935 until his retirement in 2008.